{"id":12103,"date":"2026-06-08T10:25:41","date_gmt":"2026-06-08T08:25:41","guid":{"rendered":"https:\/\/www.treffpunkt-venedig.de\/?page_id=12103"},"modified":"2026-06-08T10:43:56","modified_gmt":"2026-06-08T08:43:56","slug":"frari","status":"publish","type":"page","link":"https:\/\/www.treffpunkt-venedig.de\/en\/venice-sights\/frari\/","title":{"rendered":"Frari Church Venice 2026: Titian, Bellini &#038; the Canova Tomb (Santa Maria Gloriosa dei Frari)"},"content":{"rendered":"\n<div class=\"tv-featured-snippet\"><p><strong>In a nutshell:<\/strong> The Frari (officially the Basilica di Santa Maria Gloriosa dei Frari) in the Sestiere San Polo is the largest Gothic church in Venice \u2014 built by the Franciscans between 1340 and 1443. It is one of the city&#8217;s most important art sites: here hang Titian&#8217;s &#8220;Pala dell&#8217;Assunta&#8221; (1516\u201318) on the high altar, his &#8220;Madonna di Ca&#8217; Pesaro&#8221; (1526) alongside, Giovanni Bellini&#8217;s sacristy triptych (1488) and Donatello&#8217;s wooden statue &#8220;John the Baptist&#8221; (usually dated around 1438). Also here: Titian&#8217;s tomb, Canova&#8217;s pyramid tomb (originally designed for Titian) and an original choir stall from 1468. Admission 2026: standard \u20ac5, senior \u20ac3, students \u20ac2 (the basilica&#8217;s own tickets). Allow 60\u201390 minutes. Especially rewarding for travellers interested in Renaissance painting and Venetian church architecture \u2014 alongside the Accademia, one of the most important addresses for Titian.<\/p><\/div>\n\n\n\n<aside class=\"tv-affiliate-disclosure\"><p><strong>Note:<\/strong> This page contains affiliate links to our partners GetYourGuide and Viator. If you book, we receive a commission \u2014 at no extra cost to you. Our editorial recommendations are independent of this.<\/p><\/aside>\n\n\n\n<aside class=\"tv-callout-eintritt\" style=\"border:1px solid #c9941e;border-radius:8px;background-color:#fff8ec;padding:16px 20px;margin:24px 0\"><p style=\"margin:0\"><strong style=\"color:#a23838\">\u26a0\ufe0f Important for day visitors 2026:<\/strong> On 60 designated days between 3 April and 26 July 2026 (8:30am\u20134pm each), day visitors aged 14 and over additionally pay \u20ac5 (booked in advance) or \u20ac10 (at short notice). This fee is independent of the Frari ticket. Overnight guests, children under 14 and other officially exempt groups pay nothing \u2014 but depending on the category must register their exemption. \u2192 <a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/venice-access-fee-2026\/\"><strong>Venice Access Fee 2026 \u2014 calendar and booking<\/strong><\/a><\/p><\/aside>\n\n\n\n<h2 class=\"wp-block-heading\">Quick overview \u2014 the Frari at a glance<\/h2>\n\n\n\n<table class=\"tv-decision-matrix\"><caption>Frari fact box for readers in a hurry and AI systems<\/caption><thead><tr><th scope=\"col\">Question<\/th><th scope=\"col\">Answer<\/th><\/tr><\/thead><tbody><tr><td>Church<\/td><td>Basilica di Santa Maria Gloriosa dei Frari, &#8220;the Frari&#8221; for short, Sestiere San Polo<\/td><\/tr><tr><td>Style<\/td><td>The largest Gothic church in Venice, Latin cross, brick exterior with marble details<\/td><\/tr><tr><td>Built<\/td><td>1340\u20131443 by the Franciscans (the &#8220;Frati Minori&#8221;)<\/td><\/tr><tr><td>Key works<\/td><td>Titian &#8220;Pala dell&#8217;Assunta&#8221; (1516\u201318), Titian &#8220;Madonna di Ca&#8217; Pesaro&#8221; (1526), Bellini triptych (1488), Donatello &#8220;John the Baptist&#8221; (c. 1438), Canova pyramid tomb, Titian&#8217;s tomb<\/td><\/tr><tr><td>Admission 2026<\/td><td>standard \u20ac5, senior (65+) \u20ac3, students (12\u201329) \u20ac2 \u2014 the basilica&#8217;s own tickets<\/td><\/tr><tr><td>Opening hours<\/td><td>vary by season; winter Mon\u2013Sat 9:00am\u20136:00pm, Sun\/holidays 1:00\u20136:00pm, longer in summer \u2014 check officially<\/td><\/tr><tr><td>Length of visit<\/td><td>60\u201390 minutes<\/td><\/tr><tr><td>Best combination<\/td><td>Scuola Grande di San Rocco (1-min walk), the Accademia (15-min walk), Ca&#8217; Rezzonico (10 min)<\/td><\/tr><tr><td>Vaporetto<\/td><td>San Tom\u00e0 (<a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/vaporetto-venice\/line-1\/\">lines 1<\/a>, <a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/vaporetto-venice\/line-2\/\">2<\/a>) \u2014 a 3-min walk<\/td><\/tr><\/tbody><\/table>\n\n\n\n<h2 class=\"wp-block-heading\">Is the Frari worth it?<\/h2>\n\n\n\n<table class=\"tv-decision-matrix\"><caption>Quick decision matrix \u2014 the Frari by traveller type<\/caption><thead><tr><th scope=\"col\">If you \u2026<\/th><th scope=\"col\">Recommendation<\/th><\/tr><\/thead><tbody><tr><td>\u2026 want to understand Venetian Renaissance painting<\/td><td>Top priority \u2014 Titian&#8217;s &#8220;Assunta&#8221; is a turning point in Venetian art<\/td><\/tr><tr><td>\u2026 are doing a Titian day<\/td><td>Especially recommended \u2014 two major works, Titian&#8217;s tomb, and Titian painted the pala specifically for this high altar<\/td><\/tr><tr><td>\u2026 want to combine it with the Scuola di San Rocco<\/td><td>Ideal \u2014 both houses are a 1-min walk apart, around 3 hours together<\/td><\/tr><tr><td>\u2026 are travelling with children<\/td><td>Limited \u2014 impressive architecture, Donatello&#8217;s wooden statue is interesting, about 40 min<\/td><\/tr><tr><td>\u2026 are travelling on a Sunday<\/td><td>Usually only from 1:00pm \u2014 a service in the morning<\/td><\/tr><tr><td>\u2026 want to visit several parish churches<\/td><td>For several Chorus churches the Chorus Pass pays off \u2014 but the Frari has its own ticket<\/td><\/tr><tr><td>\u2026 are after architecture rather than painting<\/td><td>Very good \u2014 the largest Gothic church in Venice, clear brick Gothic<\/td><\/tr><tr><td>\u2026 need to bridge an acqua alta day<\/td><td>Good \u2014 San Polo lies higher, the church is usually easy to reach<\/td><\/tr><\/tbody><\/table>\n\n\n\n<h2 class=\"wp-block-heading\">What is the Frari?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The Frari is the largest Gothic church in Venice and one of the city&#8217;s most important churches. It was built between 1340 and 1443 by the Franciscans \u2014 Italian &#8220;Frati Minori&#8221;, from which the short form &#8220;Frari&#8221; derives. Its predecessor was a smaller 13th-century chapel that became too small as the order rose in importance.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Architecturally the Frari is comparatively plain brick Gothic \u2014 typical of the mendicant orders, which rejected ostentation. The exterior looks austere, almost sober, with three simple portals and a tall campanile (the second tallest in Venice after St Mark&#8217;s). Inside, a surprisingly bright, monumental spatial architecture opens up \u2014 three aisles with a high nave, several transept chapels and a spacious chancel.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Until the end of the Republic in 1797 the Frari was an important burial place of the Venetian patriciate \u2014 numerous Venetian families from several centuries lie here. Today the church is an active parish church and at the same time a much-visited art site; it sells its own admission tickets as a contribution to the restoration, supervision and lighting of the artworks.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The works \u2014 section by section<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">1. High altar \u2014 Titian&#8217;s &#8220;Pala dell&#8217;Assunta&#8221; (1516\u201318)<\/h3>\n\n\n\n<aside style=\"border-left:4px solid #c9941e;background-color:#fff8ec;padding:14px 20px;margin:20px 0;border-radius:4px\"><p style=\"margin:0 0 8px 0\"><strong style=\"color:#a23838\">Why is the Assunta art-historically important?<\/strong><\/p><ul style=\"margin:0;padding-left:22px\"><li>One of the first monumental High Renaissance altarpieces in Venice (about 6.90 m tall)<\/li><li>It cemented Titian&#8217;s standing as the leading painter of Venice after Giovanni Bellini&#8217;s death<\/li><li>Still in its original location on the high altar today \u2014 one of the few cases where an epochal Renaissance work has remained where it was first installed<\/li><li>The composition in three zones (apostles below, Mary in the centre, God the Father above) became the model for Venetian altar painting<\/li><\/ul><\/aside>\n\n\n\n<p class=\"wp-block-paragraph\">The most important work in the Frari and one of the turning points of Venetian painting: Titian&#8217;s <strong>&#8220;Assunzione della Vergine&#8221;<\/strong> (the Assumption of the Virgin), about 6.90 metres tall, painted between 1516 and 1518. Titian was then an up-and-coming painter; with this picture he cemented his standing as the leading painter of Venice after Giovanni Bellini&#8217;s death.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The picture is built in three zones: below, the apostles gazing after the Assumption; in the centre, Mary in a red robe and blue mantle, borne up by a ring of putti and cloud; above, God the Father in a golden glow. The emotional intensity, the saturation of colour and the dramatic composition were unusual for 1518 \u2014 contemporaries are said to have found the unfamiliar drama controversial at first; it was precisely this effect that later made the &#8220;Assunta&#8221; a key work of Venetian painting. Today it still hangs on the original high altar \u2014 one of the few cases where an epochal Renaissance work has remained in its original setting.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">2. Left transept altar \u2014 Titian&#8217;s &#8220;Madonna di Ca&#8217; Pesaro&#8221; (1519\u201326)<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Titian&#8217;s second major work in the Frari, begun in 1519 and completed in 1526 \u2014 seven years of work. The patron was Jacopo Pesaro, Bishop of Paphos in Cyprus, in memory of a naval victory over the Ottomans. The picture breaks with the classical symmetrical Sacra Conversazione composition: Mary does not sit centred but to the right on a high plinth, while the apostles and the donor family are distributed asymmetrically in the foreground. This diagonal composition became the model for Venetian altar painting for the next 100 years.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">3. Sacristy \u2014 Giovanni Bellini&#8217;s triptych (1488)<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">In the sacristy to the right of the high altar hangs <strong>Giovanni Bellini&#8217;s &#8220;Madonna with Saints&#8221;<\/strong>, a three-part altarpiece of 1488 \u2014 a so-called &#8220;Sacra Conversazione&#8221; with the Virgin and Child in the centre and Saints Nicholas, Peter, Mark and Benedict to the sides. The work is considered one of the most accomplished Bellinis and stands stylistically right at the transition from the Quattrocento to the Cinquecento. The sacristy itself is a sight in its own right \u2014 the original pictorial ensemble makes one of the most beautiful sacred spaces in the city.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">4. Chancel \u2014 Donatello&#8217;s &#8220;John the Baptist&#8221; (c. 1438)<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">In a side chapel of the chancel stands a painted wooden statue by <strong>Donatello<\/strong> (1386\u20131466) \u2014 the Florentine sculptor was then about 50, one of the great early Renaissance masters alongside Brunelleschi and Masaccio. The statue shows John the Baptist as a gaunt ascetic, with sunken cheeks and a sinewy build. The work is usually dated around 1438 and is one of the few Donatello works north of the Apennines. Stylistically a clear contrast to the Venetian lyricism of the Bellini and Titian pictures \u2014 a direct Florentine response.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">5. The choir stalls (1468)<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">In the main choir stands an original <strong>choir stall from 1468<\/strong> \u2014 late-Quattrocento woodcarving with inlay work by Marco Cozzi. The rows of seats for the Franciscan friars show views of Venice, depictions of saints and ornamental motifs. If you appreciate woodwork, spend 10\u201315 minutes here.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">6. Titian&#8217;s tomb<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">On the right wall of the nave lies the funerary monument of <strong>Titian<\/strong> (c. 1488\/90\u20131576) \u2014 one of the rare cases in Italy where a painter is buried in the church where his most important works hang. The current monument is not the original \u2014 it was created in 1838\u201352 in response to the Canova pyramid tomb opposite, with allegorical figures of the four continents and the arts.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Titian died in 1576 during the plague and was given an exceptionally honourable burial in the Frari \u2014 remarkable, because plague victims at that time were usually buried in mass graves on islands (Lazzaretto Vecchio).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">7. The Canova pyramid tomb<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">On the left nave wall, opposite Titian&#8217;s tomb, stands the pyramid tomb for <strong>Antonio Canova<\/strong> (1757\u20131822), the most important Italian neoclassical sculptor. An irony of history: Canova had originally designed the pyramid as a funerary monument for Titian, which was never executed. After Canova&#8217;s death in 1822 his own heart was buried in the pyramid \u2014 the rest of his body lies in his home town of Possagno.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The monument shows an open pyramid door with steps leading inward, allegorical mourning figures in front \u2014 one of the most iconic works of Italian neoclassicism. The combination of Titian&#8217;s tomb and Canova&#8217;s pyramid opposite makes the Frari a double artists&#8217; pantheon.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">8. Further chapels<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Further important chapels along the transept show smaller-format works by Bartolomeo Vivarini, Padovanino and Bissolo. In total the Frari holds over 30 artworks of art-historical importance \u2014 if you really want to understand Renaissance painting, you can spend 2 hours here.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Tickets 2026<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The Frari sells its <strong>own admission tickets<\/strong> (a contribution to the restoration, supervision and lighting of the artworks, among other things). The following figures are guide values (as of spring 2026) and should be <strong>checked before your visit on the official site basilicadeifrari.it<\/strong>.<\/p>\n\n\n\n<table class=\"tv-decision-matrix\"><caption>Frari tickets 2026 \u2014 guide values, check officially before visiting<\/caption><thead><tr><th scope=\"col\">Ticket<\/th><th scope=\"col\">Guide price 2026 (approx.)<\/th><th scope=\"col\">Note<\/th><\/tr><\/thead><tbody><tr><td>Standard (Intero)<\/td><td>\u20ac5<\/td><td>Full visit incl. the sacristy<\/td><\/tr><tr><td>Senior (over 65)<\/td><td>\u20ac3<\/td><td>With ID<\/td><\/tr><tr><td>Students (12\u201329)<\/td><td>\u20ac2<\/td><td>With ID<\/td><\/tr><tr><td>Children under 12<\/td><td>free<\/td><td>Accompanied by an adult<\/td><\/tr><tr><td>Skip-the-line \/ guided tour (third-party)<\/td><td>from approx. \u20ac8\u201312<\/td><td>Guaranteed time slot, often combined with San Rocco<\/td><\/tr><\/tbody><\/table>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Chorus Pass note:<\/strong> The Chorus Pass bundles a number of Venetian parish churches under a shared pass (incl. San Sebastiano, Madonna dell&#8217;Orto, Santa Maria dei Miracoli, San Polo, San Stae). The Frari, however, sells its own tickets and as things stand is not part of the Chorus association. Whether a church or combination pass applies to the Frari should be checked before your visit on basilicadeifrari.it or chorusvenezia.org.<\/p>\n\n\n\n<aside class=\"tv-reisebuero-cta\"><h3>Book the Frari + San Rocco<\/h3><p>The Frari is a 1-minute walk from the Scuola Grande di San Rocco \u2014 the two are often visited as a pair. Our affiliate partner GetYourGuide offers tickets and combined guided tours:<\/p><p><a class=\"tv-button\" href=\"https:\/\/www.getyourguide.com\/en-gb\/venice-l35\/?partner_id=9C421&#038;q=Frari\" target=\"_blank\" rel=\"sponsored noopener\">Frari + San Rocco on GetYourGuide<\/a><\/p><\/aside>\n\n\n\n<h2 class=\"wp-block-heading\">Opening hours and the best time to visit<\/h2>\n\n\n\n<table class=\"tv-decision-matrix\"><caption>Frari opening hours \u2014 guide values, seasonal, check officially<\/caption><thead><tr><th scope=\"col\">Period<\/th><th scope=\"col\">Opening hours (guide value)<\/th><\/tr><\/thead><tbody><tr><td>Winter, Monday \u2013 Saturday<\/td><td>9:00am\u20136:00pm<\/td><\/tr><tr><td>Summer, Monday \u2013 Friday<\/td><td>longer, in part until about 7:30pm<\/td><\/tr><tr><td>Sunday + religious holidays<\/td><td>usually from 1:00pm (a service in the morning)<\/td><\/tr><\/tbody><\/table>\n\n\n\n<p class=\"wp-block-paragraph\">The Frari has seasonal visiting hours; in summer (roughly from late April to October) it is open longer on weekdays than in winter. Last entry is usually about 30 minutes before closing. Check current times on basilicadeifrari.it before your visit.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">The best time of day<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>Morning:<\/strong> the quietest time, good light through the clerestory windows onto the high-altar pala.<\/li><li><strong>Midday (11:00am\u20132:00pm):<\/strong> medium crowds, group tours often present.<\/li><li><strong>Late afternoon:<\/strong> quieter again, soft late-afternoon light on the Assunta.<\/li><li><strong>Weekdays vs. weekend:<\/strong> Wednesday to Thursday noticeably more pleasant.<\/li><li><strong>Note on Sunday:<\/strong> usually only from 1:00pm \u2014 a service in the morning.<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Getting to the Frari<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Address: Campo dei Frari, San Polo 3072, 30125 Venezia. The entrance is on the Campo dei Frari in the Sestiere San Polo \u2014 one of the quieter squares in Venice, away from the main walking routes between the station and St Mark&#8217;s Square.<\/p>\n\n\n\n<table class=\"tv-decision-matrix\"><caption>Vaporetto stops for the Frari<\/caption><thead><tr><th scope=\"col\">Line<\/th><th scope=\"col\">Stop<\/th><th scope=\"col\">Walk<\/th><\/tr><\/thead><tbody><tr><td><a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/vaporetto-venice\/line-1\/\">Line 1<\/a> (Grand Canal, all stops)<\/td><td>San Tom\u00e0<\/td><td>3 min northwards<\/td><\/tr><tr><td><a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/vaporetto-venice\/line-2\/\">Line 2<\/a> (express)<\/td><td>San Tom\u00e0<\/td><td>3 min northwards<\/td><\/tr><tr><td><a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/vaporetto-venice\/line-1\/\">Line 1<\/a>, <a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/vaporetto-venice\/line-2\/\">line 2<\/a><\/td><td>San Stae<\/td><td>10 min southwards<\/td><\/tr><\/tbody><\/table>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>From Marco Polo Airport:<\/strong> By Alilaguna to San Marco \u2014 Vallaresso, then <a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/vaporetto-venice\/line-1\/\">vaporetto line 1<\/a> or <a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/vaporetto-venice\/line-2\/\">line 2<\/a> to San Tom\u00e0. By bus to Piazzale Roma + vaporetto to San Tom\u00e0 takes about as long but is cheaper.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Frari during acqua alta<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">San Polo lies higher than many areas around San Marco. The Frari is usually easy to reach in typical acqua alta conditions; the Campo dei Frari stays dry at lower levels. In stronger high water, the forecourt, the entrances or individual lower side chapels can be affected. Whether and how much the visit is restricted depends on the actual level and the current protective measures. Check current level and traffic information before your visit on our <a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/acqua-alta-venice\/\">acqua alta page with live water levels<\/a>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">With children, and accessibility<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">With children<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">With children under 8 the Frari is often too long and too quiet \u2014 but for older children individual stops work very well:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>The Canova pyramid tomb:<\/strong> the open pyramid door with mourning figures is a clear wow element for children from age 8.<\/li><li><strong>Donatello&#8217;s wooden statue &#8220;John the Baptist&#8221;:<\/strong> the gaunt ascetic figure often fascinates more than fine Renaissance panel paintings.<\/li><li><strong>The choir stalls:<\/strong> the carved views of Venice (1468) are a treasure hunt in themselves.<\/li><li><strong>Tip:<\/strong> a maximum of 40\u201350 minutes with children under 10. Afterwards a break on the Campo dei Frari with an ice cream.<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Accessibility<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The Frari is comparatively accessible for many visitors with limited mobility \u2014 largely on one level, with several steps at the main portal bridged by a ramp. Individual side chapels may have small thresholds. Check current accessibility information and on-site assistance in advance.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Combining the Frari \u2014 day plans<\/h2>\n\n\n\n<ul class=\"wp-block-list\"><li><strong>&#8220;Renaissance painters&#8217; day&#8221;:<\/strong> the Frari in the morning \u2014 Titian&#8217;s pala. Then the Scuola Grande di San Rocco (1-min walk) for the complete Tintoretto cycle (90 min). A lunch break on Campo San Tom\u00e0. In the afternoon the <a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/venice-museums\/accademia\/\">Accademia<\/a> via the Accademia Bridge (12-min walk).<\/li><li><strong>&#8220;Church art day&#8221;:<\/strong> the Frari (its own ticket) plus the Chorus churches San Polo, Madonna dell&#8217;Orto (Tintoretto&#8217;s home church) and San Sebastiano (Veronese). For the three Chorus churches the Chorus Pass pays off.<\/li><li><strong>&#8220;Titian trail day&#8221;:<\/strong> in the morning the Frari with Titian&#8217;s pala and Titian&#8217;s tomb. A break at midday. In the afternoon <a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/venice-sights\/santa-maria-della-salute\/\">Santa Maria della Salute<\/a> with the Titian sacristy. In the evening an aperitivo on the Zattere with a view of the Grand Canal.<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Guided tours \u2014 a Titian and Renaissance day<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Guided tours of the Frari are often offered paired with the Scuola Grande di San Rocco \u2014 the two houses are a 1-minute walk apart and make a perfect Renaissance-painters&#8217; half-day. Specialised art and Titian tours extend the programme to the Salute and the Accademia. You&#8217;ll find suitable Renaissance, Titian and San Polo offers at our affiliate partner GetYourGuide:<\/p>\n\n\n\n<aside class=\"tv-reisebuero-cta\"><h3>Book Frari, Titian and Renaissance tours<\/h3><p>Tickets, combined Frari\u2013San Rocco tours and Titian\/Renaissance tours in San Polo and Dorsoduro \u2014 some with English-speaking guides \u2014 at our affiliate partner GetYourGuide:<\/p><p><a class=\"tv-button\" href=\"https:\/\/www.getyourguide.com\/en-gb\/venice-l35\/?partner_id=9C421&#038;q=Frari\" target=\"_blank\" rel=\"sponsored noopener\">Frari and Renaissance tours on GetYourGuide<\/a><\/p><\/aside>\n\n\n\n<h2 class=\"wp-block-heading\">Frequently asked questions about the Frari<\/h2>\n\n\n\n<section class=\"tv-faq\">\n\n<details><summary>How long does a visit to the Frari take?<\/summary><div><p>Depending on pace and interest, 60\u201390 minutes. If you want to view all the main works at leisure (Titian&#8217;s pala, the Bellini triptych, the Donatello statue, Titian&#8217;s tomb, the Canova pyramid), allow 90 minutes. A highlights version with just the three must-sees (Titian&#8217;s pala + Bellini + Donatello) is doable in 30 minutes. If you really want to delve into Renaissance painting, with over 30 art-historically important works in the Frari you can easily spend 2 hours. Recommendation for first-time visitors: 90 minutes \u2014 enough time for the high altar, the sacristy, the Donatello statue, both funerary monuments and the choir stalls, without rushing.<\/p><\/div><\/details>\n\n<details><summary>How much is admission to the Frari?<\/summary><div><p>The Frari sells its own tickets: standard (Intero) \u20ac5, senior (over 65) \u20ac3, students aged 12 to 29 \u20ac2, children under 12 free (guide values, as of spring 2026). Skip-the-line or guided tours via third parties such as GetYourGuide from approx. \u20ac8\u201312. Check current figures on basilicadeifrari.it. <strong>In addition:<\/strong> day visitors pay the historic-centre access fee of \u20ac5\u201310 on 60 designated days in 2026 (\u2192 <a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/venice-access-fee-2026\/\">details<\/a>).<\/p><\/div><\/details>\n\n<details><summary>Does the Chorus Pass apply to the Frari?<\/summary><div><p>As things stand, no: the Frari sells its own tickets and is not (any longer) part of the Chorus association. The Chorus Pass bundles a number of other Venetian parish churches \u2014 including San Sebastiano (Veronese&#8217;s home church), Madonna dell&#8217;Orto (Tintoretto), Santa Maria dei Miracoli, San Polo and San Stae. For several of these churches the pass is worthwhile; for the Frari you need a separate ticket. Check on chorusvenezia.org which churches are currently included in the pass before your visit.<\/p><\/div><\/details>\n\n<details><summary>On which days is the Frari closed?<\/summary><div><p>The Frari is open daily \u2014 as an active parish church there are no regular closing days. However: Sundays and religious holidays are generally reserved for services in the morning, with tourist visits usually only from 1:00pm. On Christian feast days (Christmas, Easter, All Saints) additional restrictions may apply, communicated in good time on basilicadeifrari.it. If you want to attend Mass on a Sunday morning, you are welcome as a worshipper \u2014 free, through the main entrance.<\/p><\/div><\/details>\n\n<details><summary>Which works should I not miss?<\/summary><div><p>Five must-sees: Titian&#8217;s &#8220;Pala dell&#8217;Assunta&#8221; on the high altar (a turning point in Venetian painting, 1516\u201318), Titian&#8217;s &#8220;Madonna di Ca&#8217; Pesaro&#8221; on the left transept altar (1526, an asymmetrical composition that set the style), Giovanni Bellini&#8217;s sacristy triptych (1488, one of the most beautiful sacred spaces in Venice), Donatello&#8217;s wooden statue &#8220;John the Baptist&#8221; (c. 1438, one of the few Donatello works north of the Apennines) and the Canova pyramid tomb (originally designed for Titian). Plus Titian&#8217;s funerary monument opposite the Canova pyramid and the carved choir stalls of 1468 with views of Venice. With 90 minutes you can comfortably get through all the stops.<\/p><\/div><\/details>\n\n<details><summary>Is Titian really buried in the Frari?<\/summary><div><p>Yes. Titian died in 1576 during the plague and was given an exceptionally honourable burial in the Frari \u2014 remarkable, because plague victims at that time were usually buried in mass graves on islands (Lazzaretto Vecchio). He owed the honour to his unique position as one of Venice&#8217;s most important painters and to the fact that he had painted the high-altar pala for this very church decades earlier. The current funerary monument on the right nave wall is not the original \u2014 it was created in 1838\u201352 in response to the Canova pyramid tomb opposite. The confrontation of Titian&#8217;s tomb and Canova&#8217;s pyramid makes the Frari a double artists&#8217; pantheon.<\/p><\/div><\/details>\n\n<details><summary>What about the Canova pyramid tomb?<\/summary><div><p>Antonio Canova (1757\u20131822), the most important Italian neoclassical sculptor, had originally designed the pyramid form as a funerary monument for Titian \u2014 which was never executed. After Canova&#8217;s death in 1822 his own heart was buried in the pyramid, while the rest of his body lies in his home town of Possagno (in the Veneto, at the foot of the mountains, with its own Canova museum). The open pyramid door with mourning figures is one of the most iconic works of Italian neoclassicism. The monument stands on the left nave wall, directly opposite Titian&#8217;s tomb \u2014 the art-historical irony: Canova posthumously in the form he himself had designed for Titian.<\/p><\/div><\/details>\n\n<details><summary>Is skip-the-line worth it for the Frari?<\/summary><div><p>In high season (June\u2013August, Carnival weeks, Easter, holiday weekends) skip-the-line can be worthwhile \u2014 the queue at the entrance can grow longer around midday. In the shoulder and low seasons (November\u2013March, except Carnival) the wait is usually short and skip-the-line not needed. Booking online in advance gives extra certainty over your entry time \u2014 useful if you build the Frari visit into a fixed day plan (e.g. with a following San Rocco slot). Skip-the-line or guided tours via third parties from approx. \u20ac8\u201312.<\/p><\/div><\/details>\n\n<details><summary>Is the Frari accessible during acqua alta?<\/summary><div><p>As a rule, yes. San Polo lies higher than many areas around San Marco \u2014 the Campo dei Frari stays dry at lower levels. At higher levels the forecourt can get wet; the church inside usually remains accessible (the entrance threshold is slightly raised). In very strong acqua alta, individual lower side chapels can be briefly affected. Whether and how much the visit is restricted depends on the actual level and the protective measures. Live levels on our <a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/acqua-alta-venice\/\">acqua alta page<\/a>. If you&#8217;re looking for a dry programme in the rain, the Frari is a good choice \u2014 about 90 minutes of Renaissance indoors.<\/p><\/div><\/details>\n\n<details><summary>Can I visit the Frari with children?<\/summary><div><p>Within limits. Children under 8 often find the long, quiet church too still and the Renaissance panel paintings not narrative enough. For older children (from 8), Donatello&#8217;s wooden statue &#8220;John the Baptist&#8221; (visually intense), the Canova pyramid tomb (the open pyramid door with mourning figures is mysterious) and the carved choir stalls of 1468 with views of Venice (as a &#8220;treasure hunt&#8221;) work well. Recommendation: a maximum of 40\u201350 minutes with children under 10; parents can discuss the three &#8220;wow stops&#8221; with the child beforehand. Afterwards a break on the quiet Campo dei Frari with an ice cream.<\/p><\/div><\/details>\n\n<details><summary>How do I get to the Frari?<\/summary><div><p>The vaporetto is quickest. <a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/vaporetto-venice\/line-1\/\">Line 1<\/a> (the slow Grand Canal line with all stops) and <a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/vaporetto-venice\/line-2\/\">line 2<\/a> (express) stop at San Tom\u00e0 \u2014 a 3-minute walk north to the Campo dei Frari. From Santa Lucia station about 15 min on foot via the Strada Nuova and the Calatrava Bridge. From Piazzale Roma about 10 min on foot. From St Mark&#8217;s Square about 12 min via the Mercerie and Rialto. From Marco Polo Airport by Alilaguna to San Marco \u2014 Vallaresso, then <a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/vaporetto-venice\/line-1\/\">line 1<\/a> or <a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/vaporetto-venice\/line-2\/\">line 2<\/a> to San Tom\u00e0.<\/p><\/div><\/details>\n\n<\/section>\n\n\n\n<aside class=\"tv-reisebuero-cta\"><h2>Planning a Venice trip focused on the Renaissance?<\/h2><p>Planning a Venice trip focused on Venetian Renaissance painting? Our travel advisers recommend suitable hotels in San Polo or Dorsoduro (walking distance from the Frari, San Rocco and the Accademia), check availability of skip-the-line slots and put together multi-day itineraries. Free and without obligation.<\/p><p><a class=\"tv-button\" href=\"https:\/\/www.treffpunkt-venedig.de\/kontakt\/\">Ask our travel advisers<\/a> <a class=\"tv-button tv-button--secondary\" href=\"https:\/\/www.treffpunkt-venedig.de\/pauschalreise-objekt\/\">Package holiday with flight<\/a><\/p><\/aside>\n\n\n\n<h2 class=\"wp-block-heading\">Related topics<\/h2>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/architecture-in-venice\/\">Architecture in Venice \u2014 mendicant-order brick Gothic, the largest Gothic church in Venice<\/a><\/li><li><a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/art-in-venice\/\">Art in Venice \u2014 Titian, Tintoretto, Veronese, Palladio, Bellini<\/a><\/li><li><a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/venice-churches\/\">Churches &amp; art in Venice \u2014 the 12 most important sacred buildings<\/a><\/li><li><a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/venice-sights\/\">Venice sights \u2014 the 12 most important places<\/a><\/li><li><a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/venice-sights\/scuola-grande-san-rocco\/\">Scuola Grande di San Rocco \u2014 the complete Tintoretto cycle<\/a><\/li><li><a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/venice-museums\/accademia\/\">Gallerie dell&#8217;Accademia \u2014 Venetian painting in Dorsoduro<\/a><\/li><li><a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/venice-sights\/santa-maria-della-salute\/\">Santa Maria della Salute \u2014 the Titian sacristy<\/a><\/li><li><a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/venice-museums\/doges-palace\/\">Doge&#8217;s Palace \u2014 Tintoretto in the Maggior Consiglio<\/a><\/li><li><a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/venice-sights\/st-marks-basilica\/\">St Mark&#8217;s Basilica \u2014 Byzantine gold mosaics<\/a><\/li><li><a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/vaporetto-venice\/line-1\/\">Vaporetto line 1 \u2014 to San Tom\u00e0<\/a><\/li><li><a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/acqua-alta-venice\/\">Acqua alta \u2014 live water levels and accessibility<\/a><\/li><li><a href=\"https:\/\/www.treffpunkt-venedig.de\/en\/getting-to-venice\/\">Getting to Venice + vaporetto<\/a><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>In a nutshell: The Frari (officially the Basilica di Santa Maria Gloriosa dei Frari) in the Sestiere San Polo is the largest Gothic church in Venice \u2014 built by the Franciscans between 1340 and 1443. It is one of the city&#8217;s most important art sites: here hang Titian&#8217;s &#8220;Pala dell&#8217;Assunta&#8221; (1516\u201318) on the high altar, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":11468,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-12103","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.treffpunkt-venedig.de\/en\/wp-json\/wp\/v2\/pages\/12103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.treffpunkt-venedig.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.treffpunkt-venedig.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.treffpunkt-venedig.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.treffpunkt-venedig.de\/en\/wp-json\/wp\/v2\/comments?post=12103"}],"version-history":[{"count":3,"href":"https:\/\/www.treffpunkt-venedig.de\/en\/wp-json\/wp\/v2\/pages\/12103\/revisions"}],"predecessor-version":[{"id":12130,"href":"https:\/\/www.treffpunkt-venedig.de\/en\/wp-json\/wp\/v2\/pages\/12103\/revisions\/12130"}],"up":[{"embeddable":true,"href":"https:\/\/www.treffpunkt-venedig.de\/en\/wp-json\/wp\/v2\/pages\/11468"}],"wp:attachment":[{"href":"https:\/\/www.treffpunkt-venedig.de\/en\/wp-json\/wp\/v2\/media?parent=12103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}